A minimalist wax-resist batik artwork inspired by Qu Yuan’s Shan Gui from the Nine Songs. The composition emphasizes the divine figure of Shan Gui, the Mountain Spirit, embodying her ethereal and commanding presence. The spirit is depicted in a graceful yet powerful pose, seated upon a leopard, with thick, bold white lines outlining her serene yet determined expression, symbolizing her mastery over the forces of nature. The background is a solid, uniform deep blue, representing the vast, untamed mountain wilderness and the spirit’s dominion over it. Her form is surrounded by sweeping, abstract lines symbolizing the clouds and the mystical environment she controls, evoking the sense of transcendence and mystery as described in the poem. The spirit’s flowing robes are illustrated with delicate, yet strong, white lines, suggesting a deep connection to the natural world and the wild elements she governs. Only two colors are used: the deep blue background and bold white lines for the figure and the elements. The design emphasizes rough, deliberate lines with no overlapping or chaotic patterns, staying true to the wax-resist batik style. The thick lines form clean, sweeping curves, highlighting the spirit’s otherworldly power and grace, while maintaining the minimalist essence of the artwork.:
AI Prompt
https://s.mj.run/3snao3fXef8 https://s.mj.run/X_F1ts8-KZg A minimalist wax-resist batik artwork inspired by Qu Yuan’s Shan Gui from the Nine Songs. The composition emphasizes the divine figure of Shan Gui, the Mountain Spirit, embodying her ethereal and commanding presence. The spirit is depicted in a graceful yet powerful pose, seated upon a leopard, with thick, bold white lines outlining her serene yet determined expression, symbolizing her mastery over the forces of nature. The background is a solid, uniform deep blue, representing the vast, untamed mountain wilderness and the spirit’s dominion over it. Her form is surrounded by sweeping, abstract lines symbolizing the clouds and the mystical environment she controls, evoking the sense of transcendence and mystery as described in the poem. The spirit’s flowing robes are illustrated with delicate, yet strong, white lines, suggesting a deep connection to the natural world and the wild elements she governs. Only two colors are used: the deep blue background and bold white lines for the figure and the elements. The design emphasizes rough, deliberate lines with no overlapping or chaotic patterns, staying true to the wax-resist batik style. The thick lines form clean, sweeping curves, highlighting the spirit’s otherworldly power and grace, while maintaining the minimalist essence of the artwork. –ar 2:3 –style raw –s 200 –niji 6
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